"Enthusiasm is simply the by-product of loving what you do."
Despite not having a new order to fill the man didn't miss a beat. Pun intended. Ba-dum ting.
He held up a hand to give the woman pause, "A moment," and buzzed back behind the curtain one more time. After some rattling about in the back for several minutes he emerged with the same snare drum attached to a stand leaving himself free from the sling. A secondary pair of drumsticks in hand, he set the drum before her.
"Consider this," Mr. Alchemist deftly rolled up his sleeves, "a free introductory lesson into the world of musical passion. Hold your drumsticks like so - palm flat, rest the drumstick along the inside of the first joint of your first finger, thumb flat at the opposite side. It's a light hold, not controlling. This is the fulcrum, the pivot point of the drumstick, it should move freely but not wildly. Gently wrap your other fingers around the stick," he demonstrated, "not too tight or loose, should have a few centimeters of the stick left out the back of the palm. Got it?"
"Now turn your wrist in so that your first knuckle is the highest point of your hand ... good. Do the same with your other hand and make sure they're symmetrical. You'll want to form an arrow between your elbows and the tips, right? Should be a straight line all the way through, shoulders relaxed, wrists set. The drumsticks are an extension of your arm, bit like working with a blade," he batted a brow at the woman, "you should be familiar with that."
"The hold is really the most important part; once you've got the proper set up the rest just sort of falls into place. Whether you want to do single strokes-" he rapped off a quick set of single beats on the drum, "or double strokes," another round of swinging double beats, "the fulcrum and the hold is your foundation. Right? Try a few single strokes, aim for the center of the drum."
[member="Aver Brand"]