Ignatius
A N A R C H Y
I stood there as Sahna questioned what I was asking of her. While it may seem stupid. It was necessary to create the weapon. The person who would be using this would have to have it attuned to them. As I am not the one going to be wearing it, Sahna would be the one having to focus. I closed my eyes and felt through the force. Attempting to aid her slightly in fighting the metal. However, I kept myself out of the direct connection to it. Instead, I acted as a guide. Keeping her focused. Once she found it, I spoke softly, yet in her ears, she would still hear me as clear as day.
"Keep this connection active and open. Hold it until I say to let go. If need be, sit so that you don't fall over."
Aiding her through the force to keep the connection, I did use very little of my power and fed into Sahna to make sure that she wouldn't faint from the exhaustion that this would cause. I knew this process by heart, and knew what it could do to someone. As such, I then began to once more work while having my force slowly feed energy into her. All while continuing the process of folding the metal into shape. Giving it fold after fold after fold. Each fold doubled the layers. Making two, to a four layer, to eight layers, and so on. To speed up the process, I completely cut the billet in half, and then forged the two pieces back together to quadruple the layers instead of doubling it. Turning a simple two layered metal, into over thousands of layers after a couple heats.
This would make the weld much stronger, and allow the two metals to be seamless when taken through the sanding grits. Instead of being a real Damascus like look, it would look all one piece and uniform. Upon this, I brought the billet to the desired length and then cut it in half to provide the right amount of material for a pendant. Once I had the right size, I then sat it upon the anvil and took to using the hand hammer to bring it to shape.
Working slowly to make sure I had the right formation, I used the cutting bit and separated it into what looked like a two pronged fork. Moving to use a wedge, and separating the two. I was slowly forming the wings, and moving them into position. Even using the wedge to move the shoulder of the wings down and thus creating a very rough shape of the head and neck. This was not blacksmithing. Slowly this work would change from working as a blacksmith, to becoming an architect. Moving the metal in through force and delicate blows to create the wings. Getting the rough shape, I then worked on the head. Placing the head down flat on the anvil, and slamming the piece down. Scrunching the head almost into a block shape. Moving to the neck and using various wedges with precise hammer work to stretch the neck and thicken the neck and "ears" on the head.
Using the horn of the anvil to spread and work on the top of the head and make a rough shape that could later be ground down to the size needed. Placing on the shoulder of the anvil, and bending in the tail from the body as though it were fanning out. Just about to catch it's prey. Taking a small sliver from the pieces I had removed, I worked in the shape of a crescent moon. Making them separate pieces so that when they were chiseled into it's design, they wouldn't break or crack. A small welding would be done after to keep the pieces together. Once most of it was done, I laid the hammer down onto the anvil and inspected the work. Judging that if I tried to do anymore, I would just ruin the piece. Letting it slowly air cool, I walked over to Sahna. Sweat covered my entire chest and neck and face. I wiped my black soot hands on my pants before resting a hand on her shoulder.
"You can relax now. Go into the other room and sit down on one of the chairs. I will bring you something to eat to replenish your strength in a bit."
[member="Sahna Te"],
"Keep this connection active and open. Hold it until I say to let go. If need be, sit so that you don't fall over."
Aiding her through the force to keep the connection, I did use very little of my power and fed into Sahna to make sure that she wouldn't faint from the exhaustion that this would cause. I knew this process by heart, and knew what it could do to someone. As such, I then began to once more work while having my force slowly feed energy into her. All while continuing the process of folding the metal into shape. Giving it fold after fold after fold. Each fold doubled the layers. Making two, to a four layer, to eight layers, and so on. To speed up the process, I completely cut the billet in half, and then forged the two pieces back together to quadruple the layers instead of doubling it. Turning a simple two layered metal, into over thousands of layers after a couple heats.
This would make the weld much stronger, and allow the two metals to be seamless when taken through the sanding grits. Instead of being a real Damascus like look, it would look all one piece and uniform. Upon this, I brought the billet to the desired length and then cut it in half to provide the right amount of material for a pendant. Once I had the right size, I then sat it upon the anvil and took to using the hand hammer to bring it to shape.
Working slowly to make sure I had the right formation, I used the cutting bit and separated it into what looked like a two pronged fork. Moving to use a wedge, and separating the two. I was slowly forming the wings, and moving them into position. Even using the wedge to move the shoulder of the wings down and thus creating a very rough shape of the head and neck. This was not blacksmithing. Slowly this work would change from working as a blacksmith, to becoming an architect. Moving the metal in through force and delicate blows to create the wings. Getting the rough shape, I then worked on the head. Placing the head down flat on the anvil, and slamming the piece down. Scrunching the head almost into a block shape. Moving to the neck and using various wedges with precise hammer work to stretch the neck and thicken the neck and "ears" on the head.
Using the horn of the anvil to spread and work on the top of the head and make a rough shape that could later be ground down to the size needed. Placing on the shoulder of the anvil, and bending in the tail from the body as though it were fanning out. Just about to catch it's prey. Taking a small sliver from the pieces I had removed, I worked in the shape of a crescent moon. Making them separate pieces so that when they were chiseled into it's design, they wouldn't break or crack. A small welding would be done after to keep the pieces together. Once most of it was done, I laid the hammer down onto the anvil and inspected the work. Judging that if I tried to do anymore, I would just ruin the piece. Letting it slowly air cool, I walked over to Sahna. Sweat covered my entire chest and neck and face. I wiped my black soot hands on my pants before resting a hand on her shoulder.
"You can relax now. Go into the other room and sit down on one of the chairs. I will bring you something to eat to replenish your strength in a bit."
[member="Sahna Te"],