Yasha Cadera
Mom'alor
I stand in the middle of the floor as Bucket gets back up and whirs over to me, puts his arm around my shoulders and grabs the gun. "Where are th-no fair! You bastard, you could ha-"
"Stop it, Bucket. Lucien was making a point." I stare at [member="Lucien Cordel"] crestfallen. "Isn't it better to get out? Make sure everyone's alive and go?" Clearly this is a hard lesson for the Compassionate Jedi in me to learn. I pick up the foil and rub my forehead. Bucket takes the foil and nudges my shoulder. I pout. "Aspect Two does need work."
Lucien's asking me if I dance? I look down at my two left feet. "Depends. How many times am I allowed to step on your foot? I don't remember if I waltz. I might have earlier in my life. There's not a whole lot of things I remember Lucien. Every time I had a new symbiotic attachment in my head, I'd live their memories instead of my own. If it weren't for Spencer, Jared and Mikhail I'd still live like that. It's just like the scatter gun.
I didn't know I could fire it until I had it in my hands. My brain's still playing catch-up."
The life of a symbiotic empath. I leave hanging the social commentary on my relationship with Lucien's absentee wife Meret. She'd been another of my symbionts and when I was with her, I was Anders the artistically trained painter dude from Naboo. I loved forests and understood Ewoks. I played with paint on brushes and knew the sounds of familiar birds. I don't remember the birds anymore. I don't speak any language of the Ewoks and I don't paint.
Taking Lucien's hand, I realize how lonely this life has been, how desperate I'd been to find a protector, when I could not protect myself because there was no Self. I settle into the first position for a typical waltz and am astounded when my back arches, shoulders settle and feet go exactly where they need to. It's a strange wonderment when I realize there's one more thing I know how to do.
"Stop it, Bucket. Lucien was making a point." I stare at [member="Lucien Cordel"] crestfallen. "Isn't it better to get out? Make sure everyone's alive and go?" Clearly this is a hard lesson for the Compassionate Jedi in me to learn. I pick up the foil and rub my forehead. Bucket takes the foil and nudges my shoulder. I pout. "Aspect Two does need work."
Lucien's asking me if I dance? I look down at my two left feet. "Depends. How many times am I allowed to step on your foot? I don't remember if I waltz. I might have earlier in my life. There's not a whole lot of things I remember Lucien. Every time I had a new symbiotic attachment in my head, I'd live their memories instead of my own. If it weren't for Spencer, Jared and Mikhail I'd still live like that. It's just like the scatter gun.
I didn't know I could fire it until I had it in my hands. My brain's still playing catch-up."
The life of a symbiotic empath. I leave hanging the social commentary on my relationship with Lucien's absentee wife Meret. She'd been another of my symbionts and when I was with her, I was Anders the artistically trained painter dude from Naboo. I loved forests and understood Ewoks. I played with paint on brushes and knew the sounds of familiar birds. I don't remember the birds anymore. I don't speak any language of the Ewoks and I don't paint.
Taking Lucien's hand, I realize how lonely this life has been, how desperate I'd been to find a protector, when I could not protect myself because there was no Self. I settle into the first position for a typical waltz and am astounded when my back arches, shoulders settle and feet go exactly where they need to. It's a strange wonderment when I realize there's one more thing I know how to do.