District 9 – The Sty
Nero Zero was a complex character.
Some days, he was a topsider – content in his clout and privilege, ignorant in his waste and responsibility. Other days, he was a gang member – flashing opulence to disguise his lack of true wealth and power; a fool played against his family and friends, communicating his daily humiliations in hurt and betrayal and desperate delusions of personal agency. And days still, he was some other familiar face – some archetype – offering a "new way" for the neighborhood, while still ironically dressed in the designer clothes and luxurious finery so often touted about by the first two.
Yes, Nero Zero was many things, but the most important was that he was entirely fictional; a performance art creation of Zo La Kund. Not "the emperor wears no clothes," but "the clothes wear no emperor."
"It's my birfday," Zo-turned-Nero said to the people of the Sty, his lip pushed out in faux dignification.
"Happy Birthday!," could be heard by some in the area – some in synch, others out-of. Some working, some just chilling by the bonfire, some just passing through on what remained of their day-to-day.
Zo stood – a silhouette in his deep royal blue, cast against the ever-whitening backdrop of snowy waste and opportunity. He wore matching eyeliner, and big ,clunky, homemade jewelry. His crown, his rings, were made of salvaged droid parts – spraypainted gold and fitted to his person, sometimes beset with matching blue trimmings. It was gaudy, and ugly, and beautiful, and stupid – the ingredients of its making simultaneously a comment on just how much better Nero must have thought he was than everyone, as well as the complete accessibility of his ornamentation – just literal garbage with branding.
"Yeah," Zo nodded, averting his eyes from the crowd – presumably too good for eye-contact.
"Aren't you going to ask me how I'm going to celebrate it?!"
'Happy Birthday ,Nero – What are you going to do to celebrate?," came the crowd, their voice labored in obligation.
"WELL, NOT THAT IT'S ANY OF YOUR BUSINESS, BUT…." Zo's voice oscillated wildly, a child throwing a tantrum.
"I'm going skiing."
"Yeah – I suppose you've noticed all this…uh…ski fluff."
"Nero, do you mean snow, honey?," said a condescending voice from an open window/viewport.
"NERO KNOWS SNOW. FOOL."
Zo La breaks character for a second, playfully scolding the woman in the window.
"And what are you doing?! You got kids in there! Close that window before you let the heat out!"
She raspberried and waved him off, but still, ultimately, obliged.
"DISCREET," he playfully hissed back.
Over at the cauldron, there were those who spit their drinks out laughing at the elitist epithet.
"Not that any of you would know, but, skiing is a sophisticated sport, for the high-bred. I understand that it has inconvenienced you all, but – I assure you – your suffering is well-noted, and well-worth it."
One Mississippi, two Mississippi, three Mississippi…
"To me, anyway."
This was the location and time where Art might become Magic, or that nexus where it was apparent they were always the same thing. The ability of a people to map the trajectory of their own existence, their own context in the universe. It was an inoculation, this work, against the "Nero Zeros" of real life, wafting in from outside, trying to rope the people of the Sty through influence or money or promise of work and prosperity into their hustle of linear time – of a shared history and greater evolution with a broader world, galaxy, universe, populated with abstract notions of people and leadership and conflict and progress that those of the Sty would never meet in real life, only through their holovision screens. An elaborate fiction where only Nero Zero benefits and the humble supporters and their subjective, unique experiences were flattened into numbers, races, planetary bodies, made strangers to themselves and each other. Zo La Kund's performance reminded them that their time was cyclical, and these self-appointed celebrities, their bullshit, were of that same cycle. He reminded his neighborhood of their own power, regardless of any inability to articulate their own daily actions and reactions.
I am no playwright or poet. I barely manufacture prose. There is nothing I could write here or any scene I could imagine that could necessarily, at least with any sort of brevity, harness all these concepts and bring them home to you, reader, and make you believe these people exist and they care and that, suddenly, this song and dance put on by a character you have seen only maybe three other times could mean anything to anyone anywhere.
But if we cannot at least agree so much as to believe in art's ability to transform, then what it is it we're doing here at all?
Anyway, Nero Zero was typically well-received within the Sty.
"I couldn't agree more, President Zero – Thanks for all the clean water," Mitch scoffed, a proper confederate and artistic contributor.
"ALL THE WHAT?!"
And so it went.
In the hours that followed, more and more of the people of the Sty began to see the free money that had befallen them. More and more, they would take steps to preserve the water – some for their community, others purely for themselves.
They would endure, if only for now.